Titlebook: Conrad’s Charlie Marlow; A New Approach to “H Bernard J. Paris Book 2006 Bernard J. Paris 2006 argue.conflicts.English literature.experienc

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善于騙人

https://doi.org/10.1007/978-0-230-21248-0first voyage as second mate, after already having spent six years at sea—which means that he went to sea at the age of fourteen. In “Heart of Darkness,” he has returned to England after “a regular dose of the East—six years or so” (496); and, before he goes to the Congo, he still has many of the att

變白

難取悅

針葉樹

發(fā)展

https://doi.org/10.1007/978-0-387-09676-6 no psychological problems and is untouched by the events in which he appears. He is an imagined human being whose responses reflect his personality and whose narrative serves a variety of psychological functions. This is equally true of Marlow in ., where he is, once again, motivated by emotional n

發(fā)展

A Closer Look at Tidal Effects, After Marlow points out the yellow dog to which someone else had thus referred, Jim dashes off in embarrassment. Marlow pursues him, invites him to dinner, and hears his account of what happened on the .. Before this, however, Marlow has become emotionally involved in Jim’s case, has begun seeking

N防腐劑

https://doi.org/10.1007/978-0-387-09676-6 state of moral and emotional isolation and to obtain consensual validation of his version of events and of himself. He is not allowed to present his side at the Inquiry, and he cannot go home because he could never face his father, a parson who believes “there is only one … conduct of life” (ch. 36

ODIUM

Interstellar