Titlebook: Conrad; The Later Fiction Daniel R. Schwarz Book 1982 Palgrave Macmillan, a division of Macmillan Publishers Limited 1982 fiction.history o

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https://doi.org/10.1007/978-0-230-00059-9peal to a larger audience. As Conrad aged, it became important to him to expand his audience: ‘As a matter of feeling—not as a matter of business—I want to be read by many eyes and by all kinds of them, at that’ (21 Dec 1918, ., ii, p. 214). But his essential motives for writing . were to recapture

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The Critical Embracement of Germany 75,000 words. Since 1904, if not before, he had planned a large novel of the Napoleonic period and had been working on it intermittently. ‘Suspense’ refers to the period when Napoleon was exiled to Elba in 1814–15 and Europe was awaiting with great anticipation for the Congress of Vienna to reverse

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Palgrave Macmillan, a division of Macmillan Publishers Limited 1982

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https://doi.org/10.1007/978-0-230-00059-9The First World War had a profound effect on Conrad. It particularly troubled him that his beloved sea had become a battleground on which man fought with deadly weapons:

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Wartime fiction,The First World War had a profound effect on Conrad. It particularly troubled him that his beloved sea had become a battleground on which man fought with deadly weapons:

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