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Titlebook: Conjuring Science; A History of Scienti Sofie Lachapelle Book 2015 Sofie Lachapelle 2015 20. Jahrhundert.20th century.France.history.stage

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書目名稱Conjuring Science
副標(biāo)題A History of Scienti
編輯Sofie Lachapelle
視頻videohttp://file.papertrans.cn/236/235572/235572.mp4
圖書封面Titlebook: Conjuring Science; A History of Scienti Sofie Lachapelle Book 2015 Sofie Lachapelle 2015 20. Jahrhundert.20th century.France.history.stage
描述Conjuring Science explores the history of magic shows and scientific entertainment. It follows the frictions and connections of magic and science as they occurred in the world of popular entertainment in France from the mid-eighteenth to the early twentieth century. It situates conjurers within the broader culture of science and argues that stage magic formed an important popular conduit for science and scientific enthusiasm during this period. From the scientific recreations of the fairs to the grand illusions of the theatre stage and the development of early cinema, conjurers used and were inspired by scientific and technological innovations to create illusions, provoke a sense of wonder, and often even instruct their audience. In their hands, science took on many meanings and served different purposes: it was a set of pleasant facts and recreational demonstrations upon which to draw; it was the knowledge presented in various scientific lectures accompanied by optical projections atmagic shows; it was the techniques necessary to create illusions and effects on stage and later on at the cinema; and it was a way to separate conjuring from the deceit of mediums, mystical showmen and
出版日期Book 2015
關(guān)鍵詞20; Jahrhundert; 20th century; France; history; stage
版次1
doihttps://doi.org/10.1057/9781137492975
isbn_ebook978-1-137-49297-5
copyrightSofie Lachapelle 2015
The information of publication is updating

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Tsutsugamushi Disease in China,ok used thorough illustrations and clear explanations that would allow everyone to reproduce “what Robert Houdin modestly called his ., which were nothing less than wondrous applications of mechanics and physics.”. In truth, . had little to do with physics and edification and a lot more to do with m
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Z. D. Goedhart,R. E. M. Hekster,B. Matricaliery). The act featured a pompous spiritist lecturing on his belief that the dead could communicate with the living at séances. The conjurer, annoyed by this arrogant “professor” who never ceased to talk, resorted to drastic measures in order to silence him. He proceeded to sever the spiritist’s head
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Root architecture and tree stability,rld of conjuring had changed. While conjuring had far from disappeared, its popularity had greatly diminished. Gone were the magic theaters presenting entire programs of magic every night. On opening in 1845, the Théatre Robert-Houdin had initially attracted wealthy crowds. By the end of the ninetee
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