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Titlebook: Conjunctions of Mind, Soul and Body from Plato to the Enlightenment; Danijela Kambaskovic Book 2014 Springer Science+Business Media Dordre

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31#
發(fā)表于 2025-3-27 00:48:47 | 只看該作者
32#
發(fā)表于 2025-3-27 02:12:08 | 只看該作者
Subtle Persuasions: The Memory of Bodily Experience as a Rhetorical Device in Francis Bacon’s Parliahe evoke memories of bodily experiences to be mentally reconstructed by his audiences? How can we link the purposive context of a speech with the rhetorical skills Bacon deploys on that occasion? In attempting to answer these questions I pursue a rhetorical angle on conjunctions of mind and body in Bacon’s England.
33#
發(fā)表于 2025-3-27 07:56:36 | 只看該作者
34#
發(fā)表于 2025-3-27 12:59:39 | 只看該作者
A Cognitive-Behavioral Perspectivehe writing of the Middle Ages and the Renaissance over two thousand years of Western thought, from Plato in the fifth century BC and the fourth century AD Byzantine dialogues on the soul, to the philosophical and medical writings of the early 1700s.
35#
發(fā)表于 2025-3-27 16:02:27 | 只看該作者
36#
發(fā)表于 2025-3-27 21:04:36 | 只看該作者
Treating Health Anxiety and Fear of Deathdidactic—maintained and developed a subtle and complex understanding of the body and the soul as essentially and radically unlike in characteristics and nature, yet simultaneously bound together in indissoluble relationship to create individual human identities. Yet this relationship itself was not
37#
發(fā)表于 2025-3-27 22:09:31 | 只看該作者
38#
發(fā)表于 2025-3-28 02:36:26 | 只看該作者
A Cognitive-Behavioral Perspective . (c.?1663–1669) at Kenwood House, Hampstead. Through an innovative intertemporal comparison with Max Beckmann’s superficially similar . (circa 1923) it is shown how the transformation depends on the viewer’s deferred recognition of the sliver of reversed canvas cropped by the extreme right hand ed
39#
發(fā)表于 2025-3-28 10:01:57 | 只看該作者
40#
發(fā)表于 2025-3-28 13:58:52 | 只看該作者
Health Anxiety and Somatization in Childrenunder humours, passions, or affections. However, judging at least from the evidence of Shakespeare’s plays, it seems that his contemporaries were just as prone as we are to experience ‘mixed emotions’, sometimes ‘conjoining’ moods that seem opposed to each as oxymorons, but just as often merely dive
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