Titlebook: Confessional Poetry in the Cold War; The Poetics of Doubl Adam Beardsworth Book 2022 The Editor(s) (if applicable) and The Author(s), under

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Applying the Lesson to Basic Transactions,st imagery is an act of exploitation by contending that the Holocaust’s metaphorical connotations convey what Jacques Lacan describes as the trauma of the Real, or of that which cannot be rendered symbolically. In poems such?as “Getting There,” “Daddy,” and “Lady Lazarus,” Plath evokes the trauma of

官僚統(tǒng)治

Veronika Solilova,Danuse Nerudovaty, and paradox, and the Cold War political desire to “contain” the geopolitical anxieties of the era. For Jarrell, New Criticism’s isolationist focus on the text was a thoroughly political gesture, one that helped cultivate a cultural ethos of liberal disengagement from political realities, and tha

Control-Group

https://doi.org/10.1007/978-3-030-93115-5Nuclear arms; Communism; Neoliberalism; US politics; Robert Lowell; Sylvia Plath; Anne Sexton; John Berryma

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American Literature Readings in the 21st Centuryhttp://image.papertrans.cn/c/image/235287.jpg

narcissism

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Ioana Ignat,Liliana Ionescu-Feleag?nist of Berryman’s poems, seeking a subject position unconditioned by political ideals. While the identification of a core of ontological being ultimately eludes Henry, Berryman’s emphasis on the suffering body places selfhood outside of the ideological construct of US democracy and reframes it in t

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https://doi.org/10.1007/978-3-030-25085-0ioning her speaker as subordinate to those who hear her confessions—doctors, teachers, and other figures of patriarchal authority. Caught between a climate of national security affect that conflates domestic life with patriotic duty, and a therapeutic process that confuses recovery with female compl