Titlebook: Concept Generation for Design Creativity; A Systematized Theor Toshiharu Taura,Yukari Nagai Book 2013 Springer-Verlag London 2013 Concept G

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Statistical Static Timing Analysis,he proposed method figures in the . and emphasizing of the features of motion on the space of the wavelet coefficients. In the experiment, the motions of “frog” and “snake” are blended and its impressions are evaluated. The results confirm the relevance of the hypothesis.

grudging

Frequency-Domain Analysis of Linear Systems,s for . (. and .), and the practice of . (.–.). Next, a complete discussion is attempted on the basis of three themes: (1) what are the .? (2) what is an . in .? and (3) how should the very early stage of design be investigated? Finally, some general perspectives towards the . of . are suggested.

我不怕犧牲

Introduction, cognitive aspect, developing new research methods, and practising .. In this chapter, first, the three perspectives are introduced. Next, the outline of the discussion in this book is presented. Finally, the organization of this book is explained and the authors’ previous publications, which are related to this book, are listed.

ineffectual

Perspectives on Concept Generation and Design Creativity,ors: the basis of . and ability which enables the . to proceed. Further, we define . and creativity as follows: . is the process of . a desirable concept towards the ., and . is the degree to which an . is conceptualized.

卡死偷電

Design Competence for Design Creativity,concepts, and competence to control the .. The former two competences are related to space issues—that is, the first one is a horizontal issue and the second, a vertical issue—whereas the latter competence is related to the issue of time.

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Theory of Concept Generation, . and .-. is related to the .. Furthermore, the methods to select the appropriate . are discussed as follows. In .-., a cue is thought to be obtained in the process of analysing the existing products, while in .-., a cue can be captured in the framework of the .-.-..

Granular

Constraints in Concept Synthesis: Distance Between and Association of Base Concepts,score of originality was obtained in the case of blending the . with high distance, while those of the latter experiment reveal that the . with a high number of . lead to high originality in designed outcomes.

啜泣

Etching

Synthesis of Motions: Practice of Concept Generation (2),he proposed method figures in the . and emphasizing of the features of motion on the space of the wavelet coefficients. In the experiment, the motions of “frog” and “snake” are blended and its impressions are evaluated. The results confirm the relevance of the hypothesis.

Excise