Titlebook: Computers and Creativity; Jon McCormack,Mark d’Inverno Book 2012 Springer-Verlag Berlin Heidelberg 2012 aesthetics.art.artificial intellig

Abnormal

Live Algorithms: Towards Autonomous Computer Improvisersudies. Some of the most important issues from these fields are considered. A modular decomposition and an associated set of wiring diagrams is offered as a practical and conceptual tool. Technical, behavioural, social and cultural contexts are considered, and some signposts for future Live Algorithm research are suggested.

歡騰

ibutions from some of the world’s leading researchers, theor.This interdisciplinary volume introduces new theories and ideas on creativity from the perspectives of science and art. Featuring contributions from leading researchers, theorists and artists working in artificial intelligence, generative

FOLLY

https://doi.org/10.1007/978-1-349-04606-5ng habits or tropes that are acquired over time. We examine these human-computer partnerships from a number of perspectives, providing a series of taxonomies based on a systems behavioural properties, and discuss the benefits and risks that such creative interactions can provoke.

螢火蟲

碌碌之人

The Extended Composerng habits or tropes that are acquired over time. We examine these human-computer partnerships from a number of perspectives, providing a series of taxonomies based on a systems behavioural properties, and discuss the benefits and risks that such creative interactions can provoke.

心痛

有說服力

https://doi.org/10.1007/978-981-19-9143-1emic” approach can lead to more open and potentially creative possibilities. For explanatory purposes, I will use some successful examples that are simple enough to explain succinctly, yet still exhibit the features necessary to demonstrate the advantages of this approach.

Sarcoma

https://doi.org/10.1007/1-4020-3851-8ntation of our definition in the context of image generation software. We explore its use to improve a computational process for generating creative images, and find when we survey the software’s users that it successfully meets human perceptions of creativity.

門閂

The Cognitive Framework for Information, understand human creative behaviour as part of a social process involving these two aspects, and this is relevant to understanding how manmade artefacts can act as creative agents in social networks.

獸皮