Titlebook: Computational Visualization; Graphics, Abstractio Thomas Strothotte Book 1998 Springer-Verlag Berlin Heidelberg 1998 3D.Animation.Navigatio

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書目名稱Computational Visualization影響因子(影響力)




書目名稱Computational Visualization影響因子(影響力)學科排名




書目名稱Computational Visualization網絡公開度




書目名稱Computational Visualization網絡公開度學科排名




書目名稱Computational Visualization被引頻次




書目名稱Computational Visualization被引頻次學科排名




書目名稱Computational Visualization年度引用




書目名稱Computational Visualization年度引用學科排名




書目名稱Computational Visualization讀者反饋




書目名稱Computational Visualization讀者反饋學科排名

Isometric

Culmination

錯誤

Rendering Line Drawings for Illustrative Purposesinformation”, as F. et al. pointed out [FvDFH90] “then a picture that is free of the complications of shadows and reflections may well be more successful than a tour de force of photographic realism.” This is especially true for images used for purposes of documentation or as illustrations. Such ima

Ebct207

Rendering Line Drawings of Curved Surfacesof working with freeform surfaces is the ability to control the shape of a surface with control points so that the location of the control point influences a well defined part of the curved surface. The greater the complexity of the curve, the greater the number of control points. For a deeper insig

圓木可阻礙

Measuring and Highlighting in Graphicsf a surface material (for instance color values, effects like shininess, textures) are defined separately on a sample object. Typically, this work is done . the visual context of the scene. To see the material in the context of the whole scene, the image must be rendered.

圓木可阻礙

Distortions and Displacements in 2Dor more areas of interest to the viewer are emphasized — they are brought to the .. Typically, the areas lying in the focus are enlarged at the expense of their surroundings; they can be shown with more detail. Hence, distortion is a way to cope with the limited space of a presentation area, in gene

Mingle

Zoom Navigation of techniques (cf. Chap. 2). Existing approaches apply filtering and distorting techniques or both (recall N. [Noi94]) according to the degree of interest (.) at a certain point in the information space (node). “Classical” fisheye views, as described by S. and B. [SB94], distort an existing layout

榨取

Ardent

Figure Captions in Visual Interfacesthe data. Limited presentation space imposes restrictions on the visualization, resulting in omissions, exaggerations, or displacements. Moreover, viewers may wish to explore the data under a thematic focus. Thus, portions of the data may be presented in more detail or more comprehensively, while ot