Titlebook: Computational Musicology in Hindustani Music; Soubhik Chakraborty,Guerino Mazzola,Moujhuri Patra Book 2014 Springer International Publishi

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Modeling Musical Performance Data with Statistics,nce, psychology, semiotics, and related fields, together with technological progress (in particular computer technology), lead to a revival of quantitative thinking in music [see, e.g., Archibald (1972), Babbitt (1961), Balzano (1980), Lewin (1987), Lendvai (1993), Forte (1964, 1973), Morris (1987,

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A Statistical Comparison of , (a Morning ,) and , (a Night ,),c properties of notes are analyzed using RUBATO along with distinct transitory and similar looking non-transitory pitch movements (but possibly embedding distinct emotions!) between the notes for both the ragas. According to Strawn (1985), “a transition includes the ending part of the decay or relea

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Seminatural Composition, (or sing) as well as how to. The second refers to a composition where a mechanical device such as a computer is trained to accomplish both the what and the how part. The third category is of interest here in which the computer will decide the what part, while a human being will take up the how part

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Concluding Remarks,osition. Statistics, on the other hand, is the science of exploring and studying patterns in numerical data. Musical data are certainly numerical in character as they pertain to pitch, onset and departure of notes, loudness, timbral characteristics, etc. All these can be subjected to a careful stati

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https://doi.org/10.1007/978-3-642-36059-6music was handed down orally from the . (teacher) to the . (disciple). The art was called . and included vocal music, instrumental music, and dance. The great sages who dwelt in . (hermitages) imparted instruction to their students who lived with them on the premises. The art of music was regarded a

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Computer Applications of Josephson Junctionsgnal higher information content when they occur. The probability of a raga note, and hence its information content, depends on the raga concerned. The important raga notes will obviously be having higher probabilities. On the other hand, a weak note in a raga cannot be thrown away either for it woul