Titlebook: Computational Intelligence in Music, Sound, Art and Design; 8th International Co Anikó Ekárt,Antonios Liapis,María Luz Castro Pena Conferen

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書目名稱Computational Intelligence in Music, Sound, Art and Design影響因子(影響力)




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書目名稱Computational Intelligence in Music, Sound, Art and Design被引頻次




書目名稱Computational Intelligence in Music, Sound, Art and Design被引頻次學(xué)科排名




書目名稱Computational Intelligence in Music, Sound, Art and Design年度引用




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書目名稱Computational Intelligence in Music, Sound, Art and Design讀者反饋




書目名稱Computational Intelligence in Music, Sound, Art and Design讀者反饋學(xué)科排名

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978-3-030-16666-3Springer Nature Switzerland AG 2019

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Lecture Notes in Computer Sciencehttp://image.papertrans.cn/c/image/232522.jpg

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Strategies for Global and Regional Portsmmarise many decades of research and commentary around topics of autonomy, authenticity, authorship and intention in computer generated art, and use this research to answer contemporary questions often asked about art made by computers that concern these topics. We additionally reflect on whether cu

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https://doi.org/10.1007/978-1-349-22396-1on of shape informed by perception studies. Optimising swarms activity permits to efficiently identify shape-based keypoints to automatically annotate movement and is capable of producing meaningful qualitative descriptions for animation applications. When taken together as a set, these keypoints re

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https://doi.org/10.1007/978-1-349-22396-1 as possible, the locations of the vertices, the drawing order of the polygons and the RGBA color values must be optimized for the entire set at once. Because of the vast combinatorial space, the relatively simple constraints and the well-defined objective function, these optimization problems appea