| 書(shū)目名稱(chēng) | Complicite, Theatre and Aesthetics | | 副標(biāo)題 | From Scraps of Leath | | 編輯 | Tomasz Wi?niewski | | 視頻video | http://file.papertrans.cn/232/231778/231778.mp4 | | 概述 | Offers the first academic analysis that focuses solely on Complicite/Simon McBurney.Makes extensive use of interviews, recordings and the theatre company‘s own archival materials.Proposes a new approa | | 圖書(shū)封面 |  | | 描述 | This book presents a pioneering critical study of Complicite’s work throughout the years. Drawing on an extensive overview of the available research material – including interviews, manuscripts and the company’s own archive – the book is framed within a clearly defined research perspective and explores the singularity of theatre communication. The book results from an encounter between the London-based – but cosmopolitan in scope – company, and a fresh application of the form-oriented scholarship of Eastern Europe, Yuri Lotman’s semiosphere in particular. Focused on the aesthetics of Complicite, this study achieves a critical distance and undertakes multidimensional scrutiny of the available research material. By identifying? the ?principles of Complicite’s aesthetics, the book attempts to grasp the company’s? artistic paradigm. It focuses on ways of creating, preserving, and decoding meanings, rather than on the nuances of performance or contextual issues.. | | 出版日期 | Book 2016 | | 關(guān)鍵詞 | Theatre company; Théatre de Complicité; Simon McBurney; Performance practice; commedia dell’arte; Yuri Lo | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-319-33443-1 | | isbn_softcover | 978-3-319-81513-8 | | isbn_ebook | 978-3-319-33443-1 | | copyright | The Editor(s) (if applicable) and The Author(s) 2016 |
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