Titlebook: Community in Twentieth-Century Fiction; Paula Martín Salván (Associate Professor of Englis Book 2013 Palgrave Macmillan, a division of Mac

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Doomed to Walk the Night: Ghostly Communities and Promises in the Novels of Alex La Guma,is writings and his communitarian ideal. Jean-Luc Nancy’s point of departure in . (1991) is precisely the failure of communism and its problematic notion of community one whose . is the labor or work produced by human beings, defined as producers (2). Nancy, in his theoretical proposal of an inopera

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evanescent

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,“I Am Not a Herald of Community:” Communities of Contagion and Touching in The Letters of J.M. Coet that communities—in the widely accepted sense of a group of individuals with common interests, characteristics or goals—are generally absent in Coetzee’s works, or appear only in the background, as in the case of the unnamed political regime in ., the Afrikaner community in . or the academic commun

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,Immortality and Immunity in Margaret Atwood’s Futuristic Dystopias,uch a way as to really scrutinise ourselves” ( “Confronted Community” 25). Margaret Atwood’s futuristic dystopias . (1985), . . (2003) and . (2009) offer a unique ground to pursue this scrutiny. They portray both the human compulsion to erase finitude and the obsession for immunity, while critically

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