Titlebook: Communities, Performance and Practice; Enacting Communities Kerrie Schaefer Textbook 2022 The Editor(s) (if applicable) and The Author(s) 2

會議

哎呦

(Part of the ,): The Agency of Older Bodies Enacting Pedestrian Crossings,between Anne Basting, a leader in creative care, and Sojourn Theatre, a pioneer in civic practice, in Milwaukee, Wisconsin. . (IoM) was a multi-year project that generated arts-based civic dialogue on how to better connect aged service providers, the aged and the civic community to combat elder soci

無畏

,Community Performance in Singapore: Drama Box’s , Performing the ‘HDB Nation’ at Bukit Ho Swee,d performance project by Singaporean theatre company, Drama Box. . (2014) was the third of four instalments in the . series, initiated by Drama Box Artistic Director Kok Heng Luen, in 2007, to unearth hidden histories of spaces within the fast-changing Singaporean landscape, effectively recirculatin

胰臟

avenge

intangibility

柳樹；枯黃

,acta Community Theatre, the ‘Cycle of Engagement’ and a ‘Community of [Theatre] Practice’,mbodied memory and imagination in the process of making theatre and, simultaneously, establishes a ‘community of practice’ for which theatre-making is the point of mutual engagement and joint enterprise.

MAIM

: Big hART Creative Producing Cultural Livelihoods in the Pilbara,erwhelming Pilbara development trajectory [in which] both government and resource companies are essential players in determining what the extent, and the limits, of [Indigenous] self-determination might be” (2012, p. 51). The case study provides detailed examples of a way of working that enables ind

micronized

(Part of the ,): The Agency of Older Bodies Enacting Pedestrian Crossings, time of the green walk light—as something to be co-performed, widely experienced and felt, and publicly witnessed. It brought seniors into dialogue with drivers and ‘specials’ (civil servants and elected political representatives). Posing the problem as it did, in an active and embodied manner, cro

rheumatism

,Community Performance in Singapore: Drama Box’s , Performing the ‘HDB Nation’ at Bukit Ho Swee,c location. The chapter follows this experiment implemented by Drama Box artists, Koh Hui Ling (associate artistic director) and Han Xuemei (resident artist), to engage various stakeholders and (past and present)?residents of the Bukit Ho Swee estate to become collaborators and co-creators of perfor