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Titlebook: Communication Theory for Humans; Communicators in a M Neil O‘Boyle Textbook 2022 The Editor(s) (if applicable) and The Author(s), under exc

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31#
發(fā)表于 2025-3-26 23:41:18 | 只看該作者
32#
發(fā)表于 2025-3-27 01:56:02 | 只看該作者
Software Engineering and Formal Methodscludes by reiterating the book’s central argument that human interaction is the lifeblood of our world and that theories of communication, whatever their focus, must always return to the meaningful activities of embodied and situated human communicators.
33#
發(fā)表于 2025-3-27 08:47:13 | 只看該作者
34#
發(fā)表于 2025-3-27 10:37:51 | 只看該作者
Narrators: A Narrative Approach to Human Communication, have been taken up by scholars in the field of environmental studies. This chapter concludes by examining the digital production of narratives and emerging forms of interactive and transmedia storytelling.
35#
發(fā)表于 2025-3-27 17:12:45 | 只看該作者
Members: Communication in Human Groups,s, such as religious congregations, political parties, and hate groups. This chapter examines a range of studies that have applied this framework in analysing the shared worldviews (or ‘rhetorical visions’) of particular groups.
36#
發(fā)表于 2025-3-27 19:04:02 | 只看該作者
,Performers: Goffman’s Dramaturgical Perspective, that successful social interaction is a .. This chapter considers a range of studies that have ‘a(chǎn)pplied’ Goffman’s framework in radically different contexts (e.g., strip clubs, swimming pools, Disney theme parks, and Facebook photo galleries).
37#
發(fā)表于 2025-3-27 22:31:41 | 只看該作者
Influencers: Person-to-Person Influence in the Networked Era,ked by the increasing visibility of ‘ordinary’ people. Chapter . concludes by examining recent research on social media influencers and highlights a number of factors that putatively explain why such individuals are ..
38#
發(fā)表于 2025-3-28 02:13:58 | 只看該作者
Produsers: New Media Audiences and the Paradoxes of Participatory Culture,torytellers, citizen journalists, and fan activists. This chapter concludes by suggesting that the produser is a ‘paradoxical figure’ insofar as his or her power to participate is dependent on a capitalist media infrastructure that is often exploitative.
39#
發(fā)表于 2025-3-28 08:30:42 | 只看該作者
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