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Titlebook: Communicating Political Humor in the Media; How Culture Influenc Ofer Feldman Book 2024 The Editor(s) (if applicable) and The Author(s), un

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發(fā)表于 2025-3-25 05:32:57 | 只看該作者
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發(fā)表于 2025-3-25 11:17:58 | 只看該作者
A Tale of Two Presidents: Indonesian Humor as Depicted in Political Cartoonsical discourse analysis approach, the chapter explores the portrayal of these two presidents through the lens of political cartoons, shedding light on the power of humor as a form of social commentary and political critique. Based on a selected collection of political cartoons from the prominent Ind
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發(fā)表于 2025-3-25 12:35:18 | 只看該作者
Mocking the Inept: Brazilian Cartoons and Criticism of the Jair Bolsonaro Government Coutinho. In the Brazilian case, political cartoons translate an important feature of the country‘s cultural tradition: humor. Brazilians value humor as a strategy to face the ills they confront in their daily relationships and in their socio-political coexistence. It is argued that through her car
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發(fā)表于 2025-3-25 17:51:13 | 只看該作者
How Political Cartoons Reveal Türkiye’s Cultural Dynamics: An Analysis of Three Satirical Magazinesr a thirteen month period to understand how cultural dynamics operate through political humor. Accordingly, cultural characteristics are incorporated as a supportive element to the narrative structures of . covers, but also challenged. Political authority is criticized by adopting elements of black
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發(fā)表于 2025-3-25 22:23:45 | 只看該作者
Spanish Humor and Political Culture Through Cartoons: Multimodal Discursive Analysis of ,’s Socio-portraitist of political and social concerns, but also humor itself has managed to shape diverse political cultures throughout human history. For more than two centuries, Spain’s satirical press has served as a loudspeaker and reference for such transcendental issues as the Franco dictatorship, the de
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發(fā)表于 2025-3-26 18:49:10 | 只看該作者
Mocking the Powers that Be: The Case of Culture and Political Humor in Malaysiabligation to sensitize audiences while entertaining. It deserves more attention because it will become pervasive, if not already so. This chapter covers staged comedic acts with a Malaysian framing, performed by local comedians and accessible via YouTube. The cultural characteristics of a country, t
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