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Titlebook: Commerce in Culture; States and Markets i Andrew J. Flibbert Book 2007 Palgrave Macmillan, a division of Nature America Inc. 2007 competiti

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書目名稱Commerce in Culture
副標(biāo)題States and Markets i
編輯Andrew J. Flibbert
視頻videohttp://file.papertrans.cn/231/230179/230179.mp4
圖書封面Titlebook: Commerce in Culture; States and Markets i Andrew J. Flibbert Book 2007 Palgrave Macmillan, a division of Nature America Inc. 2007 competiti
描述Commerce in Culture is an innovative study of how states have responded to the globalization of the film sector. Concerned with more than film content or substance, the book exposes the ongoing political and economic struggles that shape cultural production and trade in the world. The historical focus is on Hollywood‘s engagement with rivals and partners in two leading developing countries, Egypt and Mexico, beginning with the birth of their national film industries in the late 1920s. State and market institutions evolved differently in each context, acting like national prisms to mediate international competition and produce distinctive results. As filmmaking has become a dynamic focal point in the new economy, Commerce in Culture reveals a vital but neglected part of the global terrain.
出版日期Book 2007
關(guān)鍵詞competition; Engagement; film; globalization; Hollywood
版次1
doihttps://doi.org/10.1057/9780230607279
isbn_softcover978-1-349-53924-6
isbn_ebook978-0-230-60727-9
copyrightPalgrave Macmillan, a division of Nature America Inc. 2007
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Robert R. Blake,Jane Srygley Moutonnd cultural goals. This chapter offers an explanation for this trade-off. The starting point of my account is the well-established contention that domestic politics have a substantial influence on state responses to external competition. Globalization creates powerful international pressures, but th
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Social Judgment and Intergroup Relationsand distributors to seek expanded markets overseas. Competition in the film trade affected even the smallest commercial industries worldwide, provoking a range of state responses while highlighting the ambiguous and complex nature of film. In addition to providing vital historical context and reveal
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