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Titlebook: Commemorating Writers in Nineteenth-Century Europe; Nation-Building and Joep Leerssen (Professor of European Studies),Ann Book 2014 Palgr

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發(fā)表于 2025-3-21 16:40:40 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Commemorating Writers in Nineteenth-Century Europe
副標(biāo)題Nation-Building and
編輯Joep Leerssen (Professor of European Studies),Ann
視頻videohttp://file.papertrans.cn/231/230168/230168.mp4
圖書封面Titlebook: Commemorating Writers in Nineteenth-Century Europe; Nation-Building and  Joep Leerssen (Professor of European Studies),Ann  Book 2014 Palgr
描述This volume offers detailed accounts of the cults of individual writers and a comparative perspective on the spread of centenary fever across Europe. It offers a fascinating insight into the interaction between literature and cultural memory, and the entanglement between local, national and European identities at the highpoint of nation-building.
出版日期Book 2014
關(guān)鍵詞Memory studies; colonialism; Cultural Memory; Dante; Europe; France; individual; memory; Russia; Slovenia; Vol
版次1
doihttps://doi.org/10.1057/9781137412140
isbn_softcover978-1-349-48945-9
isbn_ebook978-1-137-41214-0
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2014
The information of publication is updating

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Tie-Yan Liu,Christie Napa Scollon,Wenwu Zhu giving birth, easing her labour with its festive peals. The life story of the boy is followed, and likewise that of the bell. The two lifelines reconnect when the old church bell, decommissioned and neglected, is melted down to provide the bronze for a statue; that statue is being made in honour of
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Masanori Takano,Kazuya Wada,Ichiro Fukudas under discussion in this volume are depicted: Schiller is there, and Shakespeare, and Cervantes and Dante. And in the farthest left corner, there is the nod to native genius: Thomas Moore (1779–1852), known in the 1880s (when the library was built) as ‘Ireland’s national poet’, the ‘bard of Erin’.
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Mobile Social Media and Academic Performanceablished the medieval Florentine poet’s status as unique among the three crowns of the Italian literary canon: Dante, Petrarch, and Boccaccio. Over the course of the 19th century Dante eclipses the latter two, emerging as Italy’s national poet. Collectively, the studies narrate the tale of a Dante w
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Fabian Stephany,Fabian Braesemannemorative literary culture was primarily inspired and driven by ideals of nation-building. Though doubtless fostered and strengthened by the new nationalist zeal, the celebrations discussed here comprise many elements that transcend the framework of nation-building and denote links with more traditi
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