Titlebook: Comic Performance in Pakistan; The Bhānd Claire Pamment Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Pakistani performanc

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https://doi.org/10.1007/978-3-8349-7093-0acophonic media atmosphere of clashing social, political and cultural ideologies that accompanied the democracy of the Pakistan People’s Party government (2008–2013), an abundance of .-like characters drawn from the popular theatre were introduced into news talk show formats. This chapter analyses .

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Comic Performance in Pakistan978-1-137-56631-7Series ISSN 2731-4332 Series E-ISSN 2731-4340

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Claire PammentChallenges still prevalent notions of absence of comedy in Muslim worlds.Fills a gap of scholarship on contemporary Pakistani theatre and performance- offering an alternative insights to a geo-politic

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Palgrave Studies in Comedyhttp://image.papertrans.cn/c/image/230149.jpg

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Introduction,ani theatre and the comic practices of the Punjabi .. When acknowledged, it is often as a ‘folk’ facet of the past, or a low and corrupting deviation of present theatre. Beyond this discourse of in/authenticity, the author advocates a reading of the . as a mode entailing a binary interaction of a st

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Brahmin Jesters and Sufi Wise Foolshistory and popular literature (Ash’ab, Bahlul and Mullah Nasruddin). The author explores these comic convergences during Muslim rule in South Asia (1206–1858) in the pairings of bold jesters and powerful rulers, such as Tenali Rama with Vijayanagar King Krsnadevaraya (1509–29), and Raja Birbal (Mah