找回密碼
 To register

QQ登錄

只需一步,快速開始

掃一掃,訪問微社區(qū)

打印 上一主題 下一主題

Titlebook: Comedy in Crises; Weaponising Humour i Chrisoula Lionis Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive license

[復(fù)制鏈接]
41#
發(fā)表于 2025-3-28 18:32:22 | 只看該作者
After Salzmann: Thoughts on Humour, Erasure, Photography and Palestineor multiple markets. These photographic practices were broad, ranging from popular images focusing on well-known biblical themes to scholarly imaging practices that aimed to highlight the Biblical past in disciplines like archaeology and anthropology. The interaction between imaging for scholars and
42#
發(fā)表于 2025-3-28 20:35:38 | 只看該作者
43#
發(fā)表于 2025-3-29 00:38:36 | 只看該作者
44#
發(fā)表于 2025-3-29 04:17:56 | 只看該作者
Making ‘Funny’ Art During the Greek Crisis … So What? in crisis’. Investigating how humour might intervene in the instrumentalisation of political, social and national clichés, Chiavara’s practice sheds light on how essentialised stereotypes became consumable commodities both within and beyond Greece’s borders during the European economic crisis. Focu
45#
發(fā)表于 2025-3-29 09:58:55 | 只看該作者
Positioning Humour Within Indigenous Paradigms: An Interview with Richard Bellsitions the work of artist within Indigenous paradigms. Informed by Bell’s claim of being an ‘a(chǎn)ctivist masquerading an artist’, Flynn’s interview uncovers how ontological and axiological praxes of communal responsibility are demonstrated in Bell’s work, where humour is weaponised to challenge issues
46#
發(fā)表于 2025-3-29 13:33:55 | 只看該作者
47#
發(fā)表于 2025-3-29 15:58:35 | 只看該作者
Art as Archive: Subversive Humour and Authenticity in Brazilian Artnymous cultural participation that challenges government practices. Tracing the legacy and ongoing impact of humour in Brazilian art, Carvalho argues that shifts in artistic practices (particularly in relation to the archive) have continued to play a subversive role in a time of political unrest. Dr
48#
發(fā)表于 2025-3-29 23:44:01 | 只看該作者
49#
發(fā)表于 2025-3-30 03:48:52 | 只看該作者
Is Art a Means of Resistance in Times of Global Crisis?: Far-Right, Humour and Street Art in Today’sen?promoted by mainstream?far-right parties with the support of neo-fascist organisations?over the last decade. Matteo Salvini, the former Deputy Prime Minister?(2018–2019), and Giorgia Meloni, the current Prime Minister (elected in 2022),?have become the main spokespersons for an Italian far-right
50#
發(fā)表于 2025-3-30 07:00:41 | 只看該作者
Book 2023vation and reception of humour in diverse?contemporary art contexts. Drawing together research by artists, theorists, curators, and historians from around the world (from Palestine, to Greece, Brazil, and Indigenous Australia), it?provides new insight into how humour is weaponised in contemporary ar
 關(guān)于派博傳思  派博傳思旗下網(wǎng)站  友情鏈接
派博傳思介紹 公司地理位置 論文服務(wù)流程 影響因子官網(wǎng) 吾愛論文網(wǎng) 大講堂 北京大學(xué) Oxford Uni. Harvard Uni.
發(fā)展歷史沿革 期刊點評 投稿經(jīng)驗總結(jié) SCIENCEGARD IMPACTFACTOR 派博系數(shù) 清華大學(xué) Yale Uni. Stanford Uni.
QQ|Archiver|手機(jī)版|小黑屋| 派博傳思國際 ( 京公網(wǎng)安備110108008328) GMT+8, 2025-10-11 14:30
Copyright © 2001-2015 派博傳思   京公網(wǎng)安備110108008328 版權(quán)所有 All rights reserved
快速回復(fù) 返回頂部 返回列表
重庆市| 西峡县| 镇雄县| 蒙城县| 苗栗市| 五常市| 维西| 韶关市| 府谷县| 文昌市| 温宿县| 桂阳县| 金乡县| 威远县| 武威市| 定州市| 濉溪县| 武威市| 岫岩| 南江县| 西丰县| 巫山县| 南昌市| 聂拉木县| 监利县| 宁蒗| 江油市| 乌什县| 青铜峡市| 瑞昌市| 定安县| 新津县| 双桥区| 孟村| 南涧| 南华县| 永新县| 威宁| 浪卡子县| 新龙县| 临城县|