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Titlebook: Color Theory and Its Application in Art and Design; George A. Agoston Book 1987Latest edition Springer-Verlag Berlin Heidelberg 1987 adapt

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書目名稱Color Theory and Its Application in Art and Design
編輯George A. Agoston
視頻videohttp://file.papertrans.cn/230/229747/229747.mp4
叢書名稱Springer Series in Optical Sciences
圖書封面Titlebook: Color Theory and Its Application in Art and Design;  George A. Agoston Book 1987Latest edition Springer-Verlag Berlin Heidelberg 1987 adapt
描述This book directly addresses a long-felt, unsatisfied need of modern color science - an appreciative and technically sound presentation of the principles and main offerings of colorimetry to artists and designers, written by one of them. With his unique blend of training and experience in engineering, with his lifelong interest and, latterly, career in art and art education, Dr. Agoston is unusually well prepared to convey the message of color science to art and design. His book fulfills the hopes I had when I first heard about him and his book. I foresee important and long-lasting impacts of this book, analogous to those of the epoch-making writings by earlier artist-scientists, such as Leonardo, Chevreul, Munsell, and Pope. Nearly all persons who have contributed to color science, recently as well as formerly, were attracted to the study of color by color in art. Use of objective or scientific methods did not result from any cold, detached attitude, but from the inherent difficulties of the problems concerning color and its use, by which they were intrigued. Modern education and experience has taught many people how to tackle difficult problems by use of scientific methods. There
出版日期Book 1987Latest edition
關(guān)鍵詞adaptation; crystal; influence; information; liquid crystal; system
版次2
doihttps://doi.org/10.1007/978-3-540-34734-7
isbn_softcover978-3-540-17095-2
isbn_ebook978-3-540-34734-7Series ISSN 0342-4111 Series E-ISSN 1556-1534
issn_series 0342-4111
copyrightSpringer-Verlag Berlin Heidelberg 1987
The information of publication is updating

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https://doi.org/10.1007/978-3-642-12203-3 by the .? Commonly, we think of the word “dimensions” in terms of height, width, and depth, all stated in feet, meters, or other units of length. All objects have volume and occupy space; they are three-dimensional.
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https://doi.org/10.1007/3-540-31227-7r he could suggest “some badly needed research program that would have nothing to do with armaments and war,” he suggested a study of . [8.31]. A uniform color scale is a linear sequence of colors that differ by perceptually equal amounts (Sect. 9.5). The Optical Society of America (OSA) decided to
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James J. Buckley,Leonard J. JowersColor is a major subjective topic in the domain of psychology. In color-vision research, systematic studies are commonly made on human visual response. In such studies, sensory scales are devised to assess hue, saturation, brightness, brilliance, color difference, etc. Objective physical measures cannot be used; they are not applicable.
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