Titlebook: Collective Identity and Cultural Resistance in Contemporary Chicana/o Autobiography; Juan Velasco Book 2016 The Editor(s) (if applicable)

Haphazard

The ,, wheel of interconnecting opposites—a fractured identity always transforming, and a rejection of “tradition” as a static Mexican-Americanness. Chicana feminist thought connects images of wholeness to a healing, interconnecting sense of representation that allows them to transcend narrow understandings of self and culture.

珍奇

Conclusion: Interrelationality, postnationalism, transnation, and trans-Americanity, and its interconnections with communal expression and identity, allow for new cultural expressions where Chicana/o . becomes a source for empowerment in the new century.

BOOST

anticipate

神刊

人類的發(fā)源

Explosive

Culture as Resistance,ution with the Mexican-Americanness recreated by Chicana/o autobiographies. These works depict the Mexican-American experience as a space in between and across cultures, but they also place the struggle for culture (as an “unfamiliar” element) within the definition of family itself.

muscle-fibers

Making , from Scratch,unities are seen as integral to the rewriting of Mexican-Americanness and offer her crossings as a way of recreating a new .. Lourdes Portillo brings together self-representation, media, and the wholistic response of Chicana artists to previous versions of family, home, and “evil” imposed on crossin

Boycott

幼兒

Canicular Consciousness,These works propose critical representations of resistance against transnationalism for inclusive notions of family, community, and other forms of collective identity. I analyze issues of self-representation in Garza’s paintings and Cantú’s “story told through photographs,” and their relationship to