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https://doi.org/10.1057/9780230623354at this is how art functions today. Rather than a static view of the art object, he argues that contemporary art encourages encounters over time. It is about exchanges between people, rather than about an individual looking at an isolated object. Some writers feel that Bourriaud’s theory is limited

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https://doi.org/10.1057/9781137313553 ghetto?in the West and the mega-city in developing nations. What are the issues that coincide in both locales. Living on the margins of the world and the periphery of the society, overlapping conditions of existence emerge in the distant sites. The work of Theaster Gates, Rick Lowe, and Mark Bradfo

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Shakespeare, Poet of the Impossible,collaborative, socially engaged projects to the work of grassroots, community-based arts organizations. Overlaps exist between the two apparently distinct?endeavors that connect audiences with art. Artists adopt organizational methods, while entities mimic artistic manners. In coming together, artis

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https://doi.org/10.1007/978-3-030-47925-1Socially Engaged Art; Middle East; North Africa; South Asia; Collaborative Art; Community; Relational Aest

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