Titlebook: Coleridge’s Sublime Later Prose and Recent Theory; Kristeva, Adorno, Ra Murray J. Evans Book 2023 The Editor(s) (if applicable) and The Aut

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observatory

,Touchstones for Sublimity: Coleridge’s , (1816–17) and the 1818 Lectures on Literature,w can he commend his elusive Ideas to readers if he cannot establish them empirically? Amid socioeconomic turmoil after the Napoleonic wars, the first of his two lay sermons, ., offers his famous definitions of symbol (“the translucence of the Eternal through and in the Temporal”), expressed in symb

Ablation

現(xiàn)任者

,Sublime Disintegration: Coleridge’s , (1825) and Theodor Adorno’s , (1970),oblems, Coleridge’s departure from his earlier view of the symbol in . prevents his imitating the intuitive, “silvery-grey” tone of Leighton’s writing. Instead, his sublime rhetoric in . aims at presenting his Ideas. It relies on two rhetorical figures: negative definition that defines articles of b

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ith sublime theory and discourse of the last fifty years.Sit.This book explores the sublime in Samuel Taylor Coleridge’s later major prose in relation to more recent theories of the sublime. Building on the author’s previous monograph?.Sublime Coleridge: The Opus Maximum., this study focuses on subl

青石板

Book 2023hor’s previous monograph?.Sublime Coleridge: The Opus Maximum., this study focuses on sublime theory and discourse in Coleridge’s other major prose texts of the 1820s:?.Confessions of an Inquiring Spirit.?(wr. 1824),?.Aids to Reflection.?(1825), and?.On the Constitution of the Church and State.?(182

激勵

Introduction,idge, Julia Kristeva, Theodor Adorno, and Jacques Rancière. Introduction of rhetorical concepts of positive proof (for system-building) and negative proof (arguing by negation) follows. The chapter closes with abstracts of the remaining chapters in the book.