Titlebook: Coleridge, Language and the Sublime; From Transcendence t Christopher Stokes Book 2011 Palgrave Macmillan, a division of Macmillan Publishe

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Introductionf Romanticism, and monographs entitled ‘Poet X and the Sublime’ are predictably common.. If we look at the recent Coleridge’s Writings series, the sublime was chosen as a theme equal in importance to those of politics, humanity, language and religion.. And given Coleridge’s immersion in German thoug

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‘Violently Agitated by a Real Passion’: Longinus and Coleridge’s Effusionsit very simply as ‘a(chǎn) kind of eminence or excellence of discourse’.. Although the Longinian sublime has now receded somewhat from view, it was formerly central, as one can see from Theodore Wood’s classic survey of usage or a representative anthology like that edited by Andrew Ashfield and Peter de B

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‘A Specimen of the Sublime dashed to pieces’: Sublimity in the , and the Limbo Constellationthe famous final pages of the first volume of the . and the strange, compelling poetry found in the ., usually anthologised in fragments under titles such as ‘On Donne’s First Poem’ or ‘Limbo’. Treating the deduction of the imagination in terms of aesthetics, I argue that Coleridge makes a common Ro

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