Titlebook: Coleridge‘s Ancient Mariner; J. C. C. Mays Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 1 Coleridge.2 Nineteenth-century

雄偉

惡意

978-1-349-95866-5The Editor(s) (if applicable) and The Author(s) 2016

序曲

Moderate

忍耐

發(fā)牢騷

名字的誤用

Master Data, Services and Basis Functions,ground of a fundamental change in Coleridge’s intellectual and religious life, on the brink of his discovery of Kant; and how his later concept of Reason can be used to throw a more steady light on the incipient concept of Imagination discovered in the “Mariner” than ., whose argument rests on his r

foliage

Surplus and Obsolescence Planning,of writing a light-hearted parody of fashionable Gothick ballads. The significance of recognising what Wordsworth contributed to the poem Coleridge took over as his own (which elements of plot and particularly the Albatross), and how the completed poem spurred Wordsworth into a burst of extraordinar

改革運(yùn)動(dòng)

Distribution Requirements Planning,fort to contain (or bury) the questions raised. Matters discussed include Wordsworth’s odd treatment of the “Mariner” in . 1800 vol. 1 and his continuing negative allusions to it in the three poems he selected to open vol. 2. Separately published poems by Wordsworth, . and ., are likewise read along

OPINE

Surplus and Obsolescence Planning,plus his further revisions that have led to the odd situation of the poem existing in three distinct versions centred on 1798, 1800, and 1817. A questioning on several grounds of the last and most favoured of these during the twentieth century, which includes the prose gloss, and a questioning of a