Titlebook: Classical Presences in Irish Poetry after 1960; The Answering Voice Florence Impens Book 2018 The Editor(s) (if applicable) and The Author(

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Florence ImpensInvites scholars to reappraise the ways in which the dynamics of the contemporary Irish poetic scene have often been read.Places close readings of key poems within the broader context of the poets’ ca

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The New Antiquityhttp://image.papertrans.cn/c/image/227124.jpg

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978-3-319-88567-4The Editor(s) (if applicable) and The Author(s) 2018

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,Michael Longley: The ‘Lapsed Classicist’,by a detailed attention to the original text absent from Heaney’s, there are also striking parallels in their respective uses of Greek and Latin literatures. Like Heaney with Virgil, Longley in the early 1990s turned to Homer, the author who had been a favourite of his in his adolescence, and rewrot

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Derek Mahon and Eavan Boland: Marginal Perspectives, late twentieth century. Unlike Seamus Heaney and Michael Longley, neither Mahon nor Boland can be considered as ‘classical poets’. Both however, and despite producing very different bodies of work, have re-appropriated classical material over the course of their career to articulate their sense of

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,A Classical ‘Revival’?,e ‘classical revival’ in the 1990s. Discussing the work of Peter Fallon, Peter McDonald, and Theo Dorgan, it suggests that while younger poets too have drawn from ancient Greece and Rome, the ‘classical turn’ in Irish poetry may now have passed. Reading classical poems as part of the poets’ wider en