Titlebook: Classic-ing on the Australian mainstream stage; The place and phenom Susan McClements Wyss Book 2023 The Editor(s) (if applicable) and The

Enrage

追逐

An Unearthed Classic: ,olonial consciousness. Certain scenic moments have postcolonial resonance and signal ‘classic’. Post-colonial strategies are co-opted as indications of classic status, with the consequence that the production reworks assumptions of postcolonial drama. However, the question remains: can these resonances be appended to the category of classic?

愚蠢人

The Classic, Postcolonial Resonance and Australia,ded. Discussion of existing literature and concepts in postcolonial drama identifies key concepts that are used in the ensuing case studies. Finally, postcolonial resonance is explored by comparing colonial settlement and Shakespeare production in Australia and Canada.

性冷淡

越自我

Afterword: Performing Classic in Australia from 1788 to 1994,r and the New Wave of Australian theatre writing, which is a significant precursor to the period of my research. The chapter marks repertoire and observes production conditions of performing classic in Australia.

圓柱

Representation Theory and Complex Geometryerformance analysis, key artist interviews and archival research. A postcolonial conceptual framework allows close examination of the interaction between the postcolonial resonances claimed by the productions and their status as classic.

意外

Legend

Delectable

An Instant Classic: , explores the tension between the aspirations of the company and the expectations of its intended audience. Who is classic for? What can classic do? This case study exposes the prescriptive charge of the term ‘Australian classic’.

GRATE