Titlebook: Classic-ing on the Australian mainstream stage; The place and phenom Susan McClements Wyss Book 2023 The Editor(s) (if applicable) and The

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Classic-ing on the Australian mainstream stage978-3-662-68175-6Series ISSN 2568-2970 Series E-ISSN 2945-9737

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Representation Theory and Complex Geometrytes the meaning of a play across time. However, the circumstances of theatre production in Australia, a young postcolonial nation with an ancient and contested history, clearly differ from this assumed model. Drama in Australia reveals the classic category can be constructed in other ways. An exampl

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https://doi.org/10.1007/978-3-662-09756-4play’s production – its life as a new play, its scholarly framing as a postcolonial drama, and the production chain of the classic version – illuminate the category. The Sydney Theatre Company’s 2016 ‘classic’ production demonstrates a mindset that flows through its marketing, predicating its classi

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Michael Finkelberg,Victor Ginzburgs this understanding of the classic category? The play, based on a successful historical fiction novel critically retells an early settlement story. The success of the stage version relied on physical Indigenous representation, which was absent in the novel. This reset the postcolonial ambitions of