Titlebook: Class, Culture and Tragedy in the Plays of Jez Butterworth; Sean McEvoy Book 2021 The Editor(s) (if applicable) and The Author(s) 2021 Jez

Hyperplasia

死貓他燒焦

冬眠

Exclusion from the Garden: , (2002),nhabitants of Fen Ditton is marked by their membership of an absurd, archaic Christian cult. Unlike the mysterious presence of the past haunting later plays it shows how comically marginalised they have become.

intangibility

Homage: , (2006),s brutal world. Even the pervasive warplanes, which represent a state violence in tune with both nature and the play’s men, reorient themselves when they encounter the fort. A supernatural force figures and speaks to present anxieties.

Pander

The Enchanted Wood: , (2009),d by classical literary allusion destabilising the notion that Flintock must remain as it is now. . locates an idea of the sacred in the material land of England itself, but is far from evoking xenophobic nationalism.

墻壁

Drought: , (2008),fied nature and for fulfilled desire are united together in the figure of Joy. Her emotionally stunted marriage provokes vengefulness and self-hatred. She only glimpses freedom in a dream of running in the wood which haunts Ned’s nightmare. She fails to escape and ends a tragic figure caught between two uncomprehending comic men.

現(xiàn)任者

使服水土

exercise

為寵愛