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Titlebook: Class Divisions in Serial Television; Sieglinde Lemke,Wibke Schniedermann Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 S

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發(fā)表于 2025-3-21 16:51:55 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Class Divisions in Serial Television
編輯Sieglinde Lemke,Wibke Schniedermann
視頻videohttp://file.papertrans.cn/227/226985/226985.mp4
概述Analyzes both fictional and “reality” TV series.Focuses on social class, representation and televisual semantics of class divisions.Foregrounds the politics of television aesthetics and production
圖書封面Titlebook: Class Divisions in Serial Television;  Sieglinde Lemke,Wibke Schniedermann Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 S
描述This book brings the emergent interest in social class and inequality to the field of television studies. It reveals how the new visibility of class matters in serial television functions aesthetically and examines the cultural class politics articulated in these programmes. This ground-breaking volume argues that reality and quality TV’s intricate politics of class entices viewers not only to grapple with previously invisible socio-economic realities but also to reconsider their class alignment. The stereotypical ways of framing class are now supplemented by those dedicated to exposing the economic and socio-psychological burdens of the (lower) middle class. The case studies in this book demonstrate how sophisticated narrative techniques coincide with equally complex ways of exposing class divisions in contemporary American life and how the examined shows disrupt the hegemonic order of class. The volume therefore also invites a rethinking of conventional models of social stratification.?.
出版日期Book 2016
關鍵詞Serial television; class; media framing; post-financial crisis; precarity; reality TV; quality TV; cultural
版次1
doihttps://doi.org/10.1057/978-1-137-59449-5
isbn_ebook978-1-137-59449-5
copyrightThe Editor(s) (if applicable) and The Author(s) 2016
The information of publication is updating

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The Editor(s) (if applicable) and The Author(s) 2016
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Reorientation: Leo Strauss in the 1930she two main concerns of .: to reveal how the new visibility of class matters in serial television functions aesthetically and to examine the cultural politics of class articulated in these programs. With their chapter structure, the editors loosely follow a stratification model of social class as it
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發(fā)表于 2025-3-22 16:35:39 | 只看該作者
https://doi.org/10.1007/978-94-017-7622-6h . explains how media consumption leads viewers to identify with the way other people, usually those belonging to a superior class, live. This occurs through a set of frames. These frames, in turn, affect how we think about class divisions and economic inequality, how we relate to the affluent and
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發(fā)表于 2025-3-22 19:09:34 | 只看該作者
Address from the Systems Science Panels relevance for the analysis of media depictions of class, she addresses US-Americans’ self-identification with social class. The middle class, and the values associated with it, remains the central reference point of social respectability. Owen focuses her analyses on three negative stereotypes of
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發(fā)表于 2025-3-23 01:05:48 | 只看該作者
M. H. M. F. Gardeniers-Berendsen its exploitative depiction of a poor, white family from rural Georgia contributes to the deceptive representation of class and poverty in television. Poverty is primarily staged as “redneck lifestyle,” a choice and expression of cultural belonging, not a socio-economic effect. The series’ class pol
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