Titlebook: Citizen Shakespeare; Freemen and Aliens i John Michael Archer Book 2005 Palgrave Macmillan, a division of Nature America Inc. 2005 Close re

獨(dú)裁者

書(shū)目名稱Citizen Shakespeare影響因子(影響力)




書(shū)目名稱Citizen Shakespeare影響因子(影響力)學(xué)科排名




書(shū)目名稱Citizen Shakespeare網(wǎng)絡(luò)公開(kāi)度




書(shū)目名稱Citizen Shakespeare網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱Citizen Shakespeare被引頻次




書(shū)目名稱Citizen Shakespeare被引頻次學(xué)科排名




書(shū)目名稱Citizen Shakespeare年度引用




書(shū)目名稱Citizen Shakespeare年度引用學(xué)科排名




書(shū)目名稱Citizen Shakespeare讀者反饋




書(shū)目名稱Citizen Shakespeare讀者反饋學(xué)科排名

得意牛

Jaros?aw Kachniarz,Andrzej Sza?asatured their roles seem in comparison with the suffering creations of the Henslowe authors. There is a shift between the first and second tetralogies from London settings to London language, although even in the “Henriad” Eastcheap remains a key location and reference-point.

滴注

Introduction,speare was not admitted to “the freedom” of the city, and thus he never became a “citizen of London” in the accepted legal and political sense of his time. He was both a civic outsider and an urban insider. The discourse and disposition of London citizens imbue his plays, although citizens proper ar

平常

Comedy: Civil Sayings,ey fail to meet the expectations which attend these terms. . has emerged as the chief example of a city comedy manqué. According to Jean E. Howard, as we have noted, Shakespeare shares the citizen dramatists’ concern with the monitoring and punishment of wayward desire in an urban setting. But he al

煩憂

History: Civil Butchery,power.” Citizens did not interest Shakespeare much, except as the contrasting ground against which his monarchs and aristocrats defined themselves. We must turn, as Helgerson does in an unrivaled survey, to the Henslowe history plays to distinguish the victims of sovereignty among the urban middling

FID

Tragedy: What Rome?,s ill-erected tower.”. The Tower of London was traditionally begun, if not quite built, by Caesar upon his short-lived conquest of the city, as Buckingham explains to the young prince in . Even if its origins are not attested by the historical record, the prince observes, “Methinks the truth should

FID

健談

Jules Desharnais,Ridha Khédri,Ali Miliey fail to meet the expectations which attend these terms. . has emerged as the chief example of a city comedy manqué. According to Jean E. Howard, as we have noted, Shakespeare shares the citizen dramatists’ concern with the monitoring and punishment of wayward desire in an urban setting. But he al

描繪

Jaros?aw Kachniarz,Andrzej Sza?aspower.” Citizens did not interest Shakespeare much, except as the contrasting ground against which his monarchs and aristocrats defined themselves. We must turn, as Helgerson does in an unrivaled survey, to the Henslowe history plays to distinguish the victims of sovereignty among the urban middling

異端

https://doi.org/10.1007/978-3-7908-1828-4s ill-erected tower.”. The Tower of London was traditionally begun, if not quite built, by Caesar upon his short-lived conquest of the city, as Buckingham explains to the young prince in . Even if its origins are not attested by the historical record, the prince observes, “Methinks the truth should