Titlebook: Citing Shakespeare; The Reinterpretation Peter Erickson Book 2007 Palgrave Macmillan, a division of Nature America Inc. 2007 culture.Englis

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Nomenklatur und Klassifizierung,stature and cultural status in question. The generic means by which this end is achieved are different. Reed’s . is an academic novel in which the primary source of contextualizing documentation is the debate known as the “culture wars.” As a historical novel, Phillips’s . uses history as its contex

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Kurt Lücke,Rolf Rixen,Ursula Schmidtce, . and .,. Coetzee documents a lack of engagement with Shakespeare that amounts to rejection. His first encounter, through his parents, begins with the assumption that “if his father likes Shakespeare then Shakespeare must be bad” (. 104). The effort “to discover why people say Shakespeare is gre

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Kurt Lücke,Rolf Rixen,Ursula Schmidtnd he was making changes in it. [.] Billy Strayhorn said, “What are you doing?” “I’m making changes,” he said. “Do you know this is Tchaikovsky?” Billy Strayhorn asked. [.] “I know. He is a great composer. But what I have to do for this band has to be this way. We’ll still get it, but it has to be t

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,“Not Shakespeare”: Acts of Quotation in Nadine Gordimer’s ,s the network of three key quotations—from Shakespeare’s play . ., Rosa Luxemburg’s prison letter, and John Donne’s poem “The Good Morrow”—have on Shakespeare’s status in Nadine Gordimer’s novel? My method is to elucidate patterns of cumulative meaning in the quotational sequence by tracing how indi

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