Titlebook: Cinematic Representations of Alzheimer’s Disease; Raquel Medina Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 ageing.memo

宏偉

https://doi.org/10.1057/978-1-137-55874-9 as well as the Iranian film . (here, the character living with Alzheimer’s is not female), show positive depictions of Alzheimer’s, but also the negative impact it has on the social role of women in certain cultures.

CORE

International Political Economy Seriesthe techniques used by these films to enable the viewer to experience the subjectivity of a person living with Alzheimer’s disease. It also shows how Alzheimer’s disease is employed as a device with which to create suspense. Finally, this chapter illustrates the notion of personhood emerging from these films.

heckle

,Intergenerational Interactions and Alzheimer’s Disease,s, thus explaining both how they represent Alzheimer’s and how the concepts of family and caregiving differ according to each country’s cultural framework. It sheds light on the crucial role played by religion, ethnicity, and gender in these cultures. In addition, it investigates the use of the trope of Alzheimer’s in exploring national identity.

depreciate

,Gender and Alzheimer’s Disease: The Power of Words, Herbs, Water, Veils, and Mountains, as well as the Iranian film . (here, the character living with Alzheimer’s is not female), show positive depictions of Alzheimer’s, but also the negative impact it has on the social role of women in certain cultures.

安慰

Flavouring

fender

揭穿真相

討厭

Osteoporosis

,Intergenerational Interactions and Alzheimer’s Disease,eimer’s disease across both developed and developing countries. It contextualises the films under study within their respective national/local cultures, thus explaining both how they represent Alzheimer’s and how the concepts of family and caregiving differ according to each country’s cultural frame