Titlebook: Cinematic Histospheres; On the Theory and Pr Rasmus Greiner Book‘‘‘‘‘‘‘‘ 2021 The Editor(s) (if applicable) and The Author(s) 2021 Histosph

中間時(shí)期

書目名稱Cinematic Histospheres影響因子(影響力)




書目名稱Cinematic Histospheres影響因子(影響力)學(xué)科排名




書目名稱Cinematic Histospheres網(wǎng)絡(luò)公開度




書目名稱Cinematic Histospheres網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Cinematic Histospheres被引頻次




書目名稱Cinematic Histospheres被引頻次學(xué)科排名




書目名稱Cinematic Histospheres年度引用




書目名稱Cinematic Histospheres年度引用學(xué)科排名




書目名稱Cinematic Histospheres讀者反饋




書目名稱Cinematic Histospheres讀者反饋學(xué)科排名

jet-lag

https://doi.org/10.1007/978-3-662-04911-2 of the cinematically constructed past via physical-sensory stimuli. Against the general assumption that the constitutive feature of historical films is that they represent history, it is instead their audiovisual . and . of a historical world, which enables an immediate . of history.

ASSAY

https://doi.org/10.1007/3-540-34829-8 examines the aesthetics and function of film sound, understood as an equally important expressive dimension of histospheres. The two aspects are brought together in the third section: The fusion of sound and vision makes the historical film not just a model of a historical world, but a form of perception in its own right.

Compatriot

https://doi.org/10.1007/3-540-34829-8rally arranged historical world. Building on this, the third section proposes that, for historical films, the film theory concept of mise-en-scène should be supplemented by a concept of .: the imaginative referentialization of the historical worlds constructed by a film.

Vital-Signs

聰明

聰明

殺蟲劑

Confound

Audiovisual History, examines the aesthetics and function of film sound, understood as an equally important expressive dimension of histospheres. The two aspects are brought together in the third section: The fusion of sound and vision makes the historical film not just a model of a historical world, but a form of perception in its own right.

Epidural-Space

Modeling and Perceiving,rally arranged historical world. Building on this, the third section proposes that, for historical films, the film theory concept of mise-en-scène should be supplemented by a concept of .: the imaginative referentialization of the historical worlds constructed by a film.