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Titlebook: Cinema, Pain and Pleasure; Consent and the Cont Steven Allen Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limited 2013

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發(fā)表于 2025-3-21 17:49:00 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Cinema, Pain and Pleasure
副標(biāo)題Consent and the Cont
編輯Steven Allen
視頻videohttp://file.papertrans.cn/227/226544/226544.mp4
圖書封面Titlebook: Cinema, Pain and Pleasure; Consent and the Cont Steven Allen Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limited 2013
描述From Tattoo to Saw, this book considers mainstream cinema‘s representation of the viscerally dominated and marked body. Examining a shift in the late twentieth century to narratives that highlight subjection, endurance and willed-acquiescence, it probes the confluence of pain, pleasure and consent to analyse the implications of the change.
出版日期Book 2013
關(guān)鍵詞20th century; bibliography; body; cinema; corpus; knowledge; play; subject; Tattoo; television; torture; twenti
版次1
doihttps://doi.org/10.1057/9781137306692
isbn_softcover978-1-349-33989-1
isbn_ebook978-1-137-30669-2
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2013
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發(fā)表于 2025-3-21 23:04:43 | 只看該作者
Bondage and Discipline, Dominance and Submission, and Sadomasochism (BDSM) at the Movies,ctatorship as a possible site for masochistic pleasure for the male observer (Willemen 1981; Neale 1983; Hutchings 1993; P. Smith 1993), it is surprising that so little analysis has focused on cinematic depictions of coercion that throb with the resonance of BDSM. Recent exceptions include McCosker
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Spatial Structure and Regional Development,omasochism from the pathologized terms of sadism and masochism and reconstituting all three via lived experiences. Masochistic pleasures, which may or may not be experienced as pain, can then be interpreted as part of a conglomeration of control and acquiescence involving domination, restraint and pain play.
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發(fā)表于 2025-3-22 22:33:34 | 只看該作者
Situating the Controlled Body,omasochism from the pathologized terms of sadism and masochism and reconstituting all three via lived experiences. Masochistic pleasures, which may or may not be experienced as pain, can then be interpreted as part of a conglomeration of control and acquiescence involving domination, restraint and pain play.
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發(fā)表于 2025-3-23 01:41:29 | 只看該作者
https://doi.org/10.1007/978-981-99-7683-6exual deviants’, and ‘foreign’ natives. More recently, it has appeared as subcultural background atmosphere in the guise of pierced punks and tattooed skinheads. A few films, however, utilize body modification as a structuring feature of the narrative, and explore the beliefs associated with these practices.
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發(fā)表于 2025-3-23 09:25:51 | 只看該作者
the late twentieth century to narratives that highlight subjection, endurance and willed-acquiescence, it probes the confluence of pain, pleasure and consent to analyse the implications of the change.978-1-349-33989-1978-1-137-30669-2
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