Titlebook: Christina Stead; Diana Brydon Textbook 1987Latest edition Diana Brydon 1987 Bronte.Charlotte Bronte.fiction.Jane Austen.novel.Victorian er

Consonant

書目名稱Christina Stead影響因子(影響力)




書目名稱Christina Stead影響因子(影響力)學(xué)科排名




書目名稱Christina Stead網(wǎng)絡(luò)公開度




書目名稱Christina Stead網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Christina Stead被引頻次




書目名稱Christina Stead被引頻次學(xué)科排名




書目名稱Christina Stead年度引用




書目名稱Christina Stead年度引用學(xué)科排名




書目名稱Christina Stead讀者反饋




書目名稱Christina Stead讀者反饋學(xué)科排名

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Iyad Muhsen AlDajani,Martin Leiner own way without regard to literary fashion. The key to this woman of many apparent contradictions lies in her belief in integrity, her sense that she was a born ‘word-stringer’ whose function in life was to record with honesty what she saw and heard in the world around her.. Insisting that she wrot

FER

Amjad M. al-Dajani,Muhsen A. al-Dajani their pioneering work to demonstrate how an explicitly feminist reading, through narrowing the focus, can reveal dimensions overlooked, too quickly skimmed over or misunderstood by the wider scan. Feminist criticism begins by making two related assumptions about literary experience: that women writ

FER

Amjad M. al-Dajani,Muhsen A. al-Dajani to the correspondence course in her work as a teacher. As a writer too, her voice is muted. Whereas many writers stamp their work with the unmistakeable quality of their own articulation, Stead’s stamp is the flexibility with which she allows her characters to speak through her. She wrote not so mu

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