Titlebook: Christina Rossetti‘s Feminist Theology; Lynda Palazzo Book 2002 Palgrave Macmillan, a division of Macmillan Publishers Limited 2002 femini

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and ,,ch similarity in their underlying theological understanding, and in it we can see Rossetti continue to construct her own theological models. As a development of the naming activity of the earlier volume, Rossetti takes biblical characters for development, choosing ‘the nineteen saints commemorated b

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and ,r, O Israel; The lord Our God is one Lord’ (p. 8). Marsh sees Rossetti as ‘a(chǎn)ssuming the mantle of Victorian sage’,. following in the footsteps of Carlyle, Ruskin and Arnold, and berating her age for its Godlessness. In a way this is true, but it is a mistake to see the volume as intellectually disti

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The Face of the Deep: A Devotional Commentary on the Apocalypse,mulation of her own methods of critical enquiry into the scriptures. In ., her last and perhaps most audacious volume, she found the Tractarian emphasis on emotional and imaginative freedom. particularly helpful in her need for a woman’s response to a ‘masculine’ text. Although the Tractarians were

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Conclusion,led ‘High Priestess of Pre-Raphaelitism’ and the ‘Jael who led their (Pre-Raphaelite) hosts to victory’.. Yet she remains remarkably true to the vision of many of her early poems: of . itself, but also of poems like ‘The Lowest Room’, or her early novel .. Sisters and friends share joys and sorrows

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Christina Rossetti‘s Feminist Theology978-0-230-50467-7Series ISSN 2947-8448 Series E-ISSN 2947-8456

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Social healing: The Missing Component,Did Christina Rossetti, despite her acute, and at times subversive, poetic intelligence remain passive in her acceptance of her religion? Even her latest biographers assume this was the case, taking their direction from her brother William Michael Rossetti’s biased account of her Christianity:

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