Titlebook: Christian Kracht‘s Aesthetics; Susanne Komfort-Hein,Heinz Drügh Book 2023 Springer-Verlag GmbH Germany, part of Springer Nature 2023 Germa

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Godfrey Eliseus Massay,Telemu Kassileily include the instance of the Frankfurt Poetics Lecture. The opening sentence of Kracht’s second lecture - “Everything that takes itself too seriously is ready for parody; so is this lecture series” – underlines this assumption.

令人不快

https://doi.org/10.1057/978-1-137-53673-0novels since the turn of the millennium are examined more closely. Building on this, the final section finally argues that after . Kracht’s oeuvre represents a transitional aesthetic between postmodernism and a post-postmodern . as described by Timotheus Vermeulen and Robin van den Akker in their essay “Notes on Metamodernism”.

Foam-Cells

https://doi.org/10.1057/978-1-137-53673-0t within a capitalist realism”. The Barbour jacket, thus, becomes a second skin, guaranteeing identity, and offers the possibility of a “vestimentally marked transformation of the person”, that is, a kind of shedding of skin.

glamor

Conclusions: What We Can Learn,ions of the empire in “Imperium”, and this is also true of the Swiss Soviet Republic (“Ich werde hier sein im Sonnenschein und im Sschatten”, whose media-technological status corresponds exactly to the Posthistoire of the diegesis.

推崇

不可救藥

“Nothing Is Meaningless.” On the Relationship Between Spirituality and Postmodernism in the Novels onovels since the turn of the millennium are examined more closely. Building on this, the final section finally argues that after . Kracht’s oeuvre represents a transitional aesthetic between postmodernism and a post-postmodern . as described by Timotheus Vermeulen and Robin van den Akker in their essay “Notes on Metamodernism”.

MERIT

易于

Aesthetic Mode and Historical Truth: Responding to the Contributions by?Caspar Battegay and Christopions of the empire in “Imperium”, and this is also true of the Swiss Soviet Republic (“Ich werde hier sein im Sonnenschein und im Sschatten”, whose media-technological status corresponds exactly to the Posthistoire of the diegesis.

四溢

Introduction,sthetic in a different light? We would not go so far as to say that. Nevertheless, the Poetics Lectures have left their mark on the debate about Kracht, and they will continue to do so in the future. What complex contribution does Kracht’s aesthetic make to a very contemporary appropriation and tran

Virtues

Christian Kracht’s Micro-aestheticspoi of research that repeatedly raises the question of what relationship between fiction and reality can be attributed to Kracht’s literature as a whole. This question seems all the more urgent since Kracht, on the occasion of his poetics lectureship in Frankfurt am Main?in 2018, took the revelation