Titlebook: Choreographing Problems; Expressive Concepts Bojana Cveji? Book 2015 The Editor(s) (if applicable) and The Author(s) 2015 Performance phil

禁止,切斷

https://doi.org/10.1007/978-3-663-05387-3ich they are determined. The multiplicity instantiated in the becoming of the performer’s body in .; the modulations of the body-trampoline . in .; the involution of movement coupled with sensation in radical slowness in .; the syntax of stutterances in .; the transitions from power to crisis-motion

不如屎殼郎

Rechtsbegriffe in der Notfallmedizin of conclusion. Firstly how has the rupture of the organic regime in dance that these choreographies achieved impacted more broadly on the field of dance and performance? And then, if these works succeeded in philosophically reconceptualizing the body, bodily movement, and the temporality of perform

archetype

DEVIL

Performance Philosophyhttp://image.papertrans.cn/c/image/226200.jpg

情感脆弱

visceral-fat

不可救藥

裹住

During and After Performance: Processes, Caesuras, and Resonances,ghts, and voices in .—all these entail various compositions of time. If we were to ask what would be left in these performances if time was evacuated from them, the answer would confirm the indispensible function of time. None of the problems could be divested of the durations which their operation constitutes.

GROVE

2947-5589 reographers. A discussion of key issues in contemporary performance from the viewpoint of Deleuze, Spinoza and Bergson is accompanied by intricate analyses of seven groundbreaking dance performances. ?978-1-349-55610-6978-1-137-43739-6Series ISSN 2947-5589 Series E-ISSN 2057-7176

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