Titlebook: Chinese Porcelain in Colonial Mexico; The Material Worlds Meha Priyadarshini Book 2018 The Editor(s) (if applicable) and The Author(s), un

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Blue-and-white ,: Crafting a Local Aesthetic in a Colonial Context,there is an explicit comparison with the production process of porcelain seen in the chapter on Jingdezhen. Readers will note the similarities and differences, particularly in the connectedness of the two places to the rest of the world. The artisans in Jingdezhen were isolated, which meant that the

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https://doi.org/10.1057/9781137010902ards of Manila, and onto a Spanish galleon, which would transport them to Mexico. By discussing the practical elements of trade, such as the creation of a marketplace in Manila, the packing and marking of boxes, the making of ship manifests, and construction of galleons we see that the preparation o

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Book 2018ventual adoption by colonial society in Mexico. As trade connections increased in the early modern period, porcelain became an immensely popular and global product. This study focuses on one of the most exported objects, the .guan.. It shows how this porcelain jar was produced, made accessible acros

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Introduction: A Global Commodity in the Transpacific Trade,hasis is placed on the idea that contextualizing and visualizing the ceramic objects in each of the sites gives us a more comprehensive picture of early modern connectivity. With such a methodology readers can see how both local and global material forces interacted in such varied sites as Jingdezhen, Manila, Acapulco, Mexico City and Puebla.

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