Titlebook: Chinese Independent Animation; Renegotiating Identi Wenhai Zhou Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive

共和國

On the Economic Theory of Socialism: Part I, films indicating an abiding possibility of exploring ambivalence towards the notion of a core ‘Chineseness’. It is apparent that the Chinese version of capitalism has brought both opportunities and disruptions to society which stimulates more independent artists to express their concerns online via

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A Note on Welfare Propositions in Economics,en discussed. What distinguishes the situation in China is the relative absence of the aesthetic ‘carte blanche’ that tends to be associated with ‘independent’ art in either the English-speaking world, Japan or Europe. The obligation to have a strategy to survive within a broader matrix of socio-cul

無政府主義者

Wenhai ZhouExamines the significance of Chinese independent animation that reflecting the current sociocultural changes.Considers independent animation as a social mirror reveals artistic individuality and cultu

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Chinese Independent Animation978-3-030-40697-4Series ISSN 2523-8086 Series E-ISSN 2523-8094

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https://doi.org/10.1007/978-3-030-40697-4Chinese Independent Animation; Independent Ecology; Post-Socialist Reality; Ideology; Chinese Modernity

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,Understanding the Ecology of Independent Chinese Animation Within the Context of China’s Post-Socia in the first instance, find a more widespread audience and, in the second, find a forum for mutual recognition and support. In this connection it is necessary to consider the Chinese Independent Animation Film Forum (the first unofficial, non-profit forum) as a platform that attracts more independe

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