Titlebook: Chinese Independent Animation; Renegotiating Identi Wenhai Zhou Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive

Bravura

EXTOL

Intuitive

Lei Lei: The Global Practitioner of Independent Animation,d aesthetic styles and highly personal commentaries on post-socialist China. The expansion of social media platforms to promote and stimulate self-expression in animation art also inspired Lei Lei to discover an alternative path that enables his work to travel beyond China. Unlike Pi San who has bee

脫落

The Future Prospect of the Chinese Independent Animation Ecology, films indicating an abiding possibility of exploring ambivalence towards the notion of a core ‘Chineseness’. It is apparent that the Chinese version of capitalism has brought both opportunities and disruptions to society which stimulates more independent artists to express their concerns online via

SKIFF

貞潔

Henry Mintzberg,James A. Watersation in the People’s Republic of China and reviews relevant scholarship to date, particularly that of Wu (.. Thesis, City University of Hong Kong, 2006), Voci (.. Taylor & Francis, 2010) and Macdonald (.. Taylor & Francis, 2015). It also outlines how the independent animation sector, a relatively u

Paraplegia

https://doi.org/10.1007/978-1-349-20317-8s on the transition from the . legacy towards a more individualised mode of animation production, a transition that entails discussion of the importance of Flash as a relatively flexible and easily accessible platform for animators working privately in their domestic spaces. This also implied a move

掙扎

Defining Corporate Strengths and Weaknesses’s well-known characterisation of animation as a ‘light’ mode of artistic expression. Even so, the characteristic ‘lightness’ associated with China’s animation subtly altered the direction of . animation in certain distinctive ways, to redefine the possibilities of a ‘post-socialist’ Chineseness. Th

圍裙

Morose