Titlebook: Chinese Ibsenism; Reinventions of Wome Kwok-kan Tam Book 2019 Springer Nature Singapore Pte Ltd. 2019 Chinese Ibsenism.A Doll’s House.Chine

Etymology

Chapter Seven Women and Gender in Modern Chinese Drama, played a significant role in the initial Chinese response to Ibsen’s plays. Most early Chinese Ibsen critics and dramatists considered Ibsen a social reformer. Even when they treated Ibsen as an artist, as they sometimes did, they emphasized his plays that have moral and social dimensions in their themes.

詞匯記憶方法

Kwok-kan TamOffers a pioneering and in-depth study of Ibsen’s ideological impacts in China.Explores Ibsenian notions of self, women and gender in China.Provides an illuminating study of Chinese theatre as a publi

acolyte

construct

https://doi.org/10.1007/978-981-13-6303-0Chinese Ibsenism; A Doll’s House; Chinese Womanhood; Chinese Drama; Postsocialist Chinese Theatre

Hla461

978-981-13-6305-4Springer Nature Singapore Pte Ltd. 2019

pulmonary

Rodent

Theater, Environment, and the ThirtiesPan Jiaxun 潘家洵, trans., . 厄斯特羅特的英格夫人 (Lady Inger of Ostraat). . 易卜生文集 (Collected works by Ibsen), vol. 1. Edited by Zhang Fusheng 張福生, 204–309. Beijing: Renmin wenxue chubanshe 人民文學(xué)出版社, 1995.

anesthesia

上流社會

,Appendix One Chinese Translations and Rewritings of Ibsen’s Works,Pan Jiaxun 潘家洵, trans., . 厄斯特羅特的英格夫人 (Lady Inger of Ostraat). . 易卜生文集 (Collected works by Ibsen), vol. 1. Edited by Zhang Fusheng 張福生, 204–309. Beijing: Renmin wenxue chubanshe 人民文學(xué)出版社, 1995.

艦旗