Titlebook: Chinese Film Festivals; Sites of Translation Chris Berry,Luke Robinson Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 arts.

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Is There Such a Thing as Too Much Water?,f the Beijing Independent Film Festival (BIFF). The difficulty lies in the lack of a public space where culture and art can develop free from government interference. Flora Lichaa explores the way independent film festivals adapt this model in the face of continued government pressures. The chapter

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https://doi.org/10.1007/978-1-137-52289-4 and industry constraints. Some serve civic culture in notable ways besides the expansion of cinematic art. This chapter examines two small festivals in Hong Kong: the social movement film festival (smff) and the Chinese Documentary Festival (CDF). Results of field and festival program research indi

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Reading and the First World Waraiwan Cinefest and the Chinese Visual Festival, it addresses the role of individual cultural brokers in both establishing transnational festival networks and translating Chinese-language cinema for local audiences. The Cinefest frames the idea of “Taiwanese Cinema” through practices derived from com

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Shafquat Towheed,Edmund G. C. King of the role of film festivals in promoting public cultures and public debate. This chapter looks at the Hong Kong Asian Film Festival (HKAFF) as a case study of how activist practices of screen selection, competition, and mediation have helped to foster new identities and social imaginaries that tr