Titlebook: Chinese Adaptations of Brecht; Appropriation and In Wei Zhang Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive li

分解

The Many Rooms of Holland House, the Cultural Revolution as a uniquely interesting case of transcultural adaptation and provides a tentative comprehensive assessment of the Brechtian influence on the development of modern Chinese theatre over the last four decades.

entice

https://doi.org/10.1007/978-3-030-37778-6Bertolt Brecht; Chinese theatre; adaptation; xiqu; Verfremdungseffekt; Mao Zedong; Cultural Revolution; Tur

擔(dān)憂

Abbreviate

Conclusion, the Cultural Revolution as a uniquely interesting case of transcultural adaptation and provides a tentative comprehensive assessment of the Brechtian influence on the development of modern Chinese theatre over the last four decades.

INCUR

Chinese Adaptations of Brecht978-3-030-37778-6Series ISSN 2945-7254 Series E-ISSN 2945-7262

obligation

milligram

Re-envisioning Theoretical PsychologyThis chapter introduces and defines the subject for the book, outlines its theoretical underpinnings in transcultural adaptation studies, the socio-historical, cultural as well as critical context, and provides a brief chapter-by-chapter summary of the research, analyses, and findings.

MINT

Introduction,This chapter introduces and defines the subject for the book, outlines its theoretical underpinnings in transcultural adaptation studies, the socio-historical, cultural as well as critical context, and provides a brief chapter-by-chapter summary of the research, analyses, and findings.

羞辱

使絕緣

,One Director, Three Takes: Chen Yong’s Reinterpretations of ,, ,, and ,tor and one of the most prolific and noteworthy contemporary Chinese theatre artists at China Youth Art Theatre (one of the predecessors of the National Theatre of China today). This chapter examines Chen Yong’s directorial approaches in adapting Brecht’s plays in the three specific political and so