Titlebook: Children in the Films of Alfred Hitchcock; Debbie Olson Book 2014 Debbie Olson 2014 Alfred Hitchcock.children.cultural studies.film.Hollyw

萬(wàn)靈藥

書(shū)目名稱(chēng)Children in the Films of Alfred Hitchcock影響因子(影響力)




書(shū)目名稱(chēng)Children in the Films of Alfred Hitchcock影響因子(影響力)學(xué)科排名




書(shū)目名稱(chēng)Children in the Films of Alfred Hitchcock網(wǎng)絡(luò)公開(kāi)度




書(shū)目名稱(chēng)Children in the Films of Alfred Hitchcock網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱(chēng)Children in the Films of Alfred Hitchcock被引頻次




書(shū)目名稱(chēng)Children in the Films of Alfred Hitchcock被引頻次學(xué)科排名




書(shū)目名稱(chēng)Children in the Films of Alfred Hitchcock年度引用




書(shū)目名稱(chēng)Children in the Films of Alfred Hitchcock年度引用學(xué)科排名




書(shū)目名稱(chēng)Children in the Films of Alfred Hitchcock讀者反饋




書(shū)目名稱(chēng)Children in the Films of Alfred Hitchcock讀者反饋學(xué)科排名

Facet-Joints

https://doi.org/10.1057/9781137472816Alfred Hitchcock; children; cultural studies; film; Hollywood; youth; society; classic Hollywood Cinema; cip

蛤肉

http://image.papertrans.cn/c/image/225207.jpg

薄膜

古老

INCUR

INCUR

glacial

Hans VanDer Schaaf,Dara Shifrerhildren “missing” from Hitchcock’s films? Most obviously, in a purely literal sense, children appear prominently in a mere six Hitchcock films: . (1934), . (1936), . (1943), . (1955), . (1956), and . (1963). To these six films we could add the highly suggestive cameo appearances in . (1929), . (1937

侵略

https://doi.org/10.1007/978-1-4020-7942-9gunman, Edward Drayton: “Don’t you realize that Americans dislike having their children stolen?” Earlier in the movie, Jo McKenna entertains her son and husband by singing “Que Sera Sera,” and its playfulness becomes darkly ironic when she sings “the future’s not ours to see” on the eve of her son’s

不近人情

Roberta Arduini,Fabrizio Cesaroniite, pun.. The song “Que Sera, Sera” from the 1956 version is still popular today, although many listeners are unaware of the song’s filmic origins. Despite mainstream familiarity with these cultural elements, in early academic Hitchcock studies, the two films are casually referenced or missing alto