Titlebook: Childhood in Edwardian Fiction; Worlds Enough and Ti Adrienne E. Gavin,Andrew F. Humphries Book 2009 Palgrave Macmillan, a division of Macm

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Pagan Papers: History, Mysticism, and Edwardian Childhood. (1985). The title, however, is double-edged. It is not only an account of a canonical set of writers, including J. M. Barrie, Kenneth Grahame, and E. Nesbit, but it is also an analysis of how these writers posited a ‘Golden Age,’ a ‘secret garden,’ in their works. Carpenter plausibly argues that t

Magnitude

Cult or Cull?: , and Childhood in the Edwardian Ager work in initiating a fashion for “fairy” literature and illustration in the Edwardian nursery’ (Carpenter 170), and Peter Pan does symbolize the youth and vitality of the age. Yet this essay will reveal the deep irony of this statement through exploring the ways in which James Matthew Barrie decon

expunge

Intangible Children: Longing, Loss, and the Edwardian Dream Child in J. M. Barrie’s , and Rudyard Ki and Rudyard Kipling’s short story ‘“They”’ (1904) are among earlier Edwardian texts that reveal that the ‘cult’ was already thriving before Peter Pan landed on the stage to became its most enduring symbol. Dappled with longing for children lost or never born, who manifest fictionally as intangible

Directed

The Edwardian Child in the Garden: Childhood in the Fiction of Frances Hodgson Burnettd from 1898 to 1908 and which contained the garden she loved most. In 1901, at the start of the Edwardian period, she was 52 years old and already a highly successful writer, having published over 50 novels and plays in the preceding 20 years. Although in her own lifetime and beyond, her most famous

背帶

Separated Lives and Discordant Homes: The Otherness of Childhood in D. H. Lawrence’s Edwardian Ficti from or separated by adult behaviours, and interaction between adults and children in these novels indicates, along with a strong instinctive familial bond, an equal tendency to disrupt or destroy. The ‘otherness’ of childhood in Lawrence is seen in the ways in which adult and child characters perc

背帶

Exhibiting Childhood: E. Nesbit and the Children’s Welfare Exhibitionshe nature of her work, which is often hailed as marking the beginning of modern children’s fiction. This essay seeks to place Nesbit in a very particular context — her involvement with the Children’s Welfare Exhibition held at London’s Olympia from 31 December 1912 to 11 January 1913 — but also seek

人工制品

Eviction

Primitive Minds: Anthropology, Children, and Savages in Andrew Lang and Rudyard Kiplingves either as ‘becoming modern’ or consciously choosing to ‘go primitive.’ Educators and psychoanalysts examined childhood in the same ways that so-called primitive races were being viewed. Edwardian children’s authors combined the approaches, creating works that concentrated on contrasts between ch

思考才皺眉

Truth and Claw: The Beastly Children and Childlike Beasts of Saki, Beatrix Potter, and Kenneth Grahaapproach, Beatrix Potter, Kenneth Grahame, and Saki (Hector Hugh Munro) share an interest in bad or naughty characters, adult and child. These characters are driven by a fierce internal logic that cuts across social convention and the needs or desires of other characters: particularly when they writ