Titlebook: Chaucer‘s Feminine Subjects; Figures of Desire in John A. Pitcher Book 2012 Palgrave Macmillan, a division of Nature America Inc. 2012 psyc

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Chaucer‘s Feminine Subjects978-1-137-08972-4Series ISSN 2945-5936 Series E-ISSN 2945-5944

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The Rhetoric of Desire in ,is mastery over his wife. In this, the tale takes up at the point where the Wife of Bath’s tale left off, with the affirmation of masculine submission as the condition for marital harmony. However, a threat to their relationship soon appears in the form of Aurelius, a squire who insistently holds Do

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https://doi.org/10.1007/978-1-4302-0378-0ional categories of critical commentary led earlier critics to regard the tale as an obvious and regrettable concession to popular medieval taste. Writing seventy years ago, George Cowling was among the first modern critics to dismiss the tale as catering to a medieval appetite for stories about the

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Administering Web Applications,veal its sexuality is perhaps the last to know the meaning of what it says?”. Along similar lines, by exposing the rhetorical fault lines of subjective division and conflict, my analyses have traced the reciprocal articulation of identity and desire within Chaucer’s rhetorical constructions of subje

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,Chaucer’s Wolf: Exemplary Violence in ,ional categories of critical commentary led earlier critics to regard the tale as an obvious and regrettable concession to popular medieval taste. Writing seventy years ago, George Cowling was among the first modern critics to dismiss the tale as catering to a medieval appetite for stories about the

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Afterword: A Question of Politics,veal its sexuality is perhaps the last to know the meaning of what it says?”. Along similar lines, by exposing the rhetorical fault lines of subjective division and conflict, my analyses have traced the reciprocal articulation of identity and desire within Chaucer’s rhetorical constructions of subje