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Titlebook: Chaucerian Aesthetics; Peggy A. Knapp Book 2008 Palgrave Macmillan, a division of Nature America Inc. 2008 aesthetics.Chaucer.language.Med

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發(fā)表于 2025-3-21 18:20:25 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Chaucerian Aesthetics
編輯Peggy A. Knapp
視頻videohttp://file.papertrans.cn/225/224188/224188.mp4
叢書名稱The New Middle Ages
圖書封面Titlebook: Chaucerian Aesthetics;  Peggy A. Knapp Book 2008 Palgrave Macmillan, a division of Nature America Inc. 2008 aesthetics.Chaucer.language.Med
描述Chaucerian Aesthetics examines The Canterbury Tale and Troilus and Criseyde from both medieval and post-Kantian vantage points. These sometimes congruent, sometimes divergent perspectives illuminate both the immediate pleasure of encountering beauty and its haunting promise of intelligibility. Although aesthetic reflection has sometimes seemed out of sync with modern approaches to mind and language, Knapp defends its value in general and demonstrates its importance for the analysis of Chaucer s narrative art. Focusing on language games, persons, women, humor, and community, this book ponders what makes art beautiful.
出版日期Book 2008
關(guān)鍵詞aesthetics; Chaucer; language; Medieval Literature; medievalist; Middle Ages; mind; play; understanding; wome
版次1
doihttps://doi.org/10.1057/9780230613843
isbn_ebook978-0-230-61384-3Series ISSN 2945-5936 Series E-ISSN 2945-5944
issn_series 2945-5936
copyrightPalgrave Macmillan, a division of Nature America Inc. 2008
The information of publication is updating

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發(fā)表于 2025-3-21 23:38:48 | 只看該作者
Book 2008ugh aesthetic reflection has sometimes seemed out of sync with modern approaches to mind and language, Knapp defends its value in general and demonstrates its importance for the analysis of Chaucer s narrative art. Focusing on language games, persons, women, humor, and community, this book ponders what makes art beautiful.
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Book 2008ent, sometimes divergent perspectives illuminate both the immediate pleasure of encountering beauty and its haunting promise of intelligibility. Although aesthetic reflection has sometimes seemed out of sync with modern approaches to mind and language, Knapp defends its value in general and demonstr
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2945-5936 mes congruent, sometimes divergent perspectives illuminate both the immediate pleasure of encountering beauty and its haunting promise of intelligibility. Although aesthetic reflection has sometimes seemed out of sync with modern approaches to mind and language, Knapp defends its value in general an
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The New Middle Ageshttp://image.papertrans.cn/c/image/224188.jpg
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https://doi.org/10.1007/978-1-4302-0154-0t introduced until Alexander Baumgarten’s . in 1750, nor made central to European thinking until Hume, Kant, Schiller, and Hegel took it up.. People who would not quibble with using the word . as an analytic category bearing on issues earlier than . appearance as a term in the eighteenth century, or
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