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Titlebook: Chaucer the Alchemist; Physics, Mutability, Alexander N. Gabrovsky Book 2015 The Editor(s) (if applicable) and The Author(s) 2015 Chaucer.I

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發(fā)表于 2025-3-21 16:14:41 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Chaucer the Alchemist
副標(biāo)題Physics, Mutability,
編輯Alexander N. Gabrovsky
視頻videohttp://file.papertrans.cn/225/224184/224184.mp4
叢書名稱The New Middle Ages
圖書封面Titlebook: Chaucer the Alchemist; Physics, Mutability, Alexander N. Gabrovsky Book 2015 The Editor(s) (if applicable) and The Author(s) 2015 Chaucer.I
描述The secrets of nature‘s alchemy captivated both the scientific and literary imagination of the Middle Ages. This book explores Chaucer‘s fascination with earth‘s mutability. Gabrovsky reveals that his poetry represents a major contribution to a medieval worldview centered on the philosophy of physics, astronomy, alchemy, and logic.
出版日期Book 2015
關(guān)鍵詞Chaucer; Imagination; logic; Medieval Literature; Middle Ages; poetry; British and Irish Literature
版次1
doihttps://doi.org/10.1057/9781137523914
isbn_ebook978-1-137-52391-4Series ISSN 2945-5936 Series E-ISSN 2945-5944
issn_series 2945-5936
copyrightThe Editor(s) (if applicable) and The Author(s) 2015
The information of publication is updating

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Thought Experiments in Geffrey’s Dream: The Poetics of ,, Measurement, and Relativity in the t struck with “wonder” as to the causes of dreams: “God turne us every drem to goode! / For hyt is wonder, be the roode” (1–2). In his first encounter with the eagle, the narrator “gan beholde more and more / To se the beaute and the wonder” (532–3); . these wonders stack up, and, by the poem’s endi
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Counterfactual Conditionals in the Avian Debate: , and Possible Worlds Semantics in the d’s foreknowledge. After this apparent dismissal of material that he cannot sift to the husks (., ..3238), the poet nonetheless finds it here necessary to pause for a moment to distinguish between “symple necessitee,” “free choys,” and “necessitee condicioneel.” Interestingly, Chaucer recasts the “g
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Working with Menus and Dialogs,deep and long-standing fascination with the concept of motion itself—a subcategory of “change” in the medieval world. Within Chaucer’s plotted structures, narrative climax tends to coincide with a pivotal moment of material transformation taking place in the sublunar region of mutability (literally,
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